Untouched Drum

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Dusk envelopes the river banks. A damp, cold breeze rustles the leaves.

The catfish made its final plunge and from the undergrowth emerged Osebu, the Royal Craftsman. Gnarled, knotty wood he dragged, Oburumankoma, he sang. The dewy leaves shedding their load. An owl perched in curiosity, muskrats gnawed nervously. He trod on, guided by fireflies, his heart joyous, pushing through the membrane of darkness

In his homestead he stood beneath the Neem tree catching his breath. Segua the mother of his child walked by with an oil lamp yellowing her smile. He laughed, imagining her old and toothless.

That night he slept fitfully.

Osebu met with his ancestor, Akyerema Kofi, at the crossroads of Akwadum, illuminated by the silver moon.

You must be strong, my son

The night is short but the darkness grows longer

Your soul must birth its heir

Like mine bore yours

Like the crossroads, my son; is life. When you get there this kotokro shall show you the way. But know, that not all drummers drum

Not all evoke a dance

Not all carry a song

Some a dirge

Some a curse

But there shall be none untouched

Akyerema Kofi leaned unto Osebu whispering a thousand secrets, sounding like the waves. Desperate, he strained to listen



He awoke.

To the last cockcrow of dawn, strength fleeing his bones, his mind in a myriad of thoughts

His heir! Who was he to be? Childless yet his marriage be

The earth coaxed him to embrace her shallow comfort. Turning on the yellowed mat, he lay down to sleep

At noon he rose

Strengthened by the prekese broth and roots from the pots of the healers

He worked on end, hacked and whittled the slender log, into a drum, stretched the Adowa skin over it. Within it he forged his soul, within it he saw an heir and placed it among the drums

Overlooked,

Larger drums were favoured

His days waned, His strength ebbed

Segua bore him a son

Nananom joined him celebrate

On the eighth day

He was named after his grandfather Akyerema Kofi

Kofi Denteh it was.

Pride of his father, Joy of his mother

Heir apparent, a beacon of hope

With his dying moons, his father grew weaker

With each new tooth, was his laughter - bright and strong

He loved the music of the fon ton from, The atumpan was his lure. But the drummers would not admit him. Too young they said, too small they joked.

Three

Now four

With a calabash he played, taught by his father, in his moments of strength. When the torch in sky is flung beyond the horizons and Asaase Yaa blankets her offspring, with the comfort of darkness



On the eve of Akwasidae

When fofie had ended, the drummers gathered to play. Maidens responded to the call. Dust rising as children raced each other. Slowly the town moved to the royal compound. Oil lamps, flickering in wind

Uneasy in his mother's bosom, fate weaving its web of sleep around him, he heard them play.

He wriggled free, picking up his kortorkror. Stepping out of the hut, stood under the eaves, whiles mother tied his collar around his neck

There he went, Kofi Denteh

He watched in glee, weaving through the crowd. He meant to drum with the men, join the celebration of his ancestors. He meant to strike the antelope skin, on the royal Atumpan

He was spotted and sent away. Go and sleep. They said. It's late

To the drum hut he decided for look for his own. He found a lamp unattended, walked past his mother's hut towards the drum hut. Within it was nothing but gongs and drum sticks

He strayed to the rear

Rattles

Dry antelope skins

Through the open windows

Came the wailing wind

His soul shivered within his tiny frame

Somewhere where no light could reach, he saw it. Joyfully he wiped the dust with his little hands.

He dragged it out

To the velvet tamarind tree and upon the that old weathering rock

He sat,

Playing softly

Lest he be found

Then as broth boils upon burning coals, was the music within his soul.

The breeze carried the tunes

Infant cries of Ogyaa é Ogya oo, ye ye Ogya oo, Ogya oooo

And like a murmur, the unknown sound wrapped its infant fingers around the crowd

The dancers faltered, the drummers hesitated

Awoken were the dying sounds of yore

Who could it be?

They mused

It was an unknown rhythm

Steady

Gyrating

Weaving itself into their faltering songs

Then he heard it

Knocking upon the doors of his soul

Osebu rose

Stood in the doorway listening

His wife hurried to his side, his heart beat audible

He listened to the birth of his soul; to the sound of the untouched drum

Clear as droplets in a cave

Slowly the tingling spread, from his ears to his face, to his chest, to his feet

Life returned to him

His soul to his frail frame

As the drummers stopped

To listen

As they stopped to listen

Silence escorted the tunes

Of the untouched drum

©Koranteng Joshua Yaw

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