Mahasaraswati

57 5 3
                                    

Saraswati - black stone -late Chalukya period (12th century CE).

 The Prince of Wales Museum, Mumbai

''The science and craft and technique of things are Mahasaraswati's province

Oops! This image does not follow our content guidelines. To continue publishing, please remove it or upload a different image.

''The science and craft and technique of things are Mahasaraswati's province. Always she holds in her nature and can give to those whom she has chosen the intimate and precise knowledge, the subtlety and patience, the accuracy of intuitive mind and conscious hand and discerning eye of the perfect worker. 

This Power is the strong, the tireless, the careful and efficient builder, organiser, administrator, technician, artisan and classifier of the worlds. When she takes up the transformation and new-building of the nature, her action is laborious and minute and often seems to our impatience slow and interminable, but it is persistent, integral and flawless. For the will in her works is scrupulous, unsleeping, indefatigable; leaning over us she notes and touches every little detail, finds out every minute defect, gap, twist or incompleteness, considers and weighs accurately all that has been done and all that remains still to be done hereafter. 

Nothing is too small or apparently trivial for her attention; nothing however impalpable or disguised or latent can escape her. Moulding and remoulding she labours each part till it has attained its true form, is put in its exact place in the whole and fulfils its precise purpose. In her constant and diligent arrangement and rearrangement of things her eye is on all needs at once and the way to meet them and her intuition knows what is to be chosen and what rejected and successfully determines the right instrument, the right time, the right conditions and the right process. 

Carelessness and negligence and indolence she abhors; all scamped and hasty and shuffling work, all clumsiness and à peu près and misfire, all false adaptation and misuse of instruments and faculties and leaving of things undone or half done is offensive and foreign to her temper. When her work is finished, nothing has been forgotten, no part has been misplaced or omitted or left in a faulty condition; all is solid, accurate, complete, admirable. Nothing short of a perfect perfection satisfies her and she is ready to face an eternity of toil if that is needed for the fullness of her creation.''

Sri Aurobindo


Oops! This image does not follow our content guidelines. To continue publishing, please remove it or upload a different image.
☀️ 𝓓epicting  𝓣he  𝓓ivine ☀️Where stories live. Discover now