Deep Breath Pt 2

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[Guest bedroom]

(Nightime, with a full moon. At Vastra's house, the Doctor is now wearing a full length night shirt. Clara and Jenny are listening at the door.)
DOCTOR [OC]: It's simply misunderstandable to me. I don't know what it is. Who invented this room?
(He opens the door and Clara Isabella  and Jenny nearly fall inside.)
CLARA: Doctor, please, you have to lie down.
DOCTOR: It doesn't make sense. Look, it's only got a bed in it. Why is there only a bed in it?
Isabella : Because it's a bed room. It's for sleeping in.
DOCTOR: Okay, what do you do when you're awake?
JENNY: You leave the room.
DOCTOR: So you've got a whole room for not being awake in. But what's the point? You're just missing the room. And don't look in that mirror. It's absolutely furious.
CLARA: Doctor, please. You have to lie down. You keep passing out.
DOCTOR: Well, of course I keep passing out. There's all these beds. Why do you keep talking like that? What's gone wrong with your accent? Why
JENNY: Nothing's wrong with her accent.
DOCTOR: You sound the same. It's spreading. You all sound all English. Now you've all developed a fault.
VASTRA: (with a Scots accent) Doctor, I need your help with something.
DOCTOR: Finally, someone who can talk properly.
VASTRA: I'm having difficulty sleeping.
DOCTOR Oh? Oh, well, I wouldn't bother with that, I never bother with sleep, and I just do standy-up catnaps.
VASTRA: Oh really, how interesting. And when do you do those?
DOCTOR: Well, generally whenever anyone else starts talking. I like to skip ahead to my bits. It saves time.
(Vastra gently leads him to the bed and they sit down.)
VASTRA: Save me time, Doctor. Project an image of perfect sleep into the centre of my mind.
DOCTOR: What, do you want a psychic link with me? The size of my brain, it would be like dropping a piano on you.
VASTRA: Be gentle, then.
DOCTOR: I'll try. Brace yourself. Piano.
(They put their fingers to the others temple. Boing! Doctor falls back onto the bed, sound asleep.)
VASTRA: (English accent) I love monkeys. They're so funny.
JENNY: Oh, I see. So people are monkeys now, are they?
VASTRA: No, dear. People are apes. Men are monkeys.
(They tuck the Doctor up in bed.)
Isabella : So what now?
VASTRA: He needs rest.
CLARA: So what do we do? How do we fix him?
JENNY: Fix him?
Isabella : How do we change him back?
VASTRA: Jenny, I will be in my chamber. Would you be kind enough to fetch my veil?
JENNY: Why, are we expecting strangers?
VASTRA: It would seem there's already one here.
(Vastra leaves.)
CLARA: What have I done wrong?
(The sound of a sad dinosaur drifts into the room.)
JENNY: The dinosaur doesn't seem very happy.
Isabella : What's wrong with it?
JENNY: I dunno. The Doctor's the one that speaks dinosaur. Excuse me, ma'am. The wife doesn't like to be kept waiting.
CLARA: Where did he get that face? Why's it got lines on it? It's brand new. How can his hair be all grey? He only just got it.
JENNY: It's still him, ma'am. You saw him change.
Isabella : I know. I do. I, I know that.
JENNY: Good.
CLARA: It's just
JENNY: What?
Isabella : Nothing. If. If Vastra changed, if she was different, if she wasn't the person that you liked?
VASTRA: I don't like her, ma'am. I love her. And as to different? Well, she's a lizard.
(Clara goes to the window and hears the moaning dinosaur.)
DOCTOR: I am alone. The world which shook at my feet, and the trees and the sky, have gone. And I am alone now. Alone.
CLARA: Are you translating?
DOCTOR: The wind bites now, and the world is grey, and I am alone here. Can't see me. Doesn't see me. Can't see me.
Isabella : Who can't see it? I think all of London can see it.
STRAX: Boy? Madame Vastra is waiting.
CLARA: Okay. Whatever.
STRAX: I will convey you to her chamber. May I take your coat?
Isabella : Not wearing a coat.
STRAX: What's all that?
CLARA: Clothes.
STRAX: May I take your clothes?
Isabella : (sotto) Probably not.
STRAX: Are you wearing a hat?
CLARA: It's hair.
STRAX: No, I think it's a hat. Would you like me to check?

[Street]

(The lamplighter is at work, and middle-aged couple are walking together.)
ALF: It's not real, of course.
ELSIE: What is it, then?
ALF: The government.
ELSIE: The government?
ALF: Yeah, up to their usual tricks.
ELSIE: It's a dinosaur, Alf. A real dinosaur.
ALF: I wouldn't put it past them.
ELSIE: You don't half talk a lot of rubbish, Alfie. See you don't stay out too late now.
ALF: You know me.
ELSIE: Yes. I do.
(She gives him a peck on the cheek and leaves. The lamplighter illuminates a man standing in the shadows. He turns with a click.)
ALF: It's the neck. That's what's wrong with it. Just don't look realistic.
HALF-FACE MAN: You have good eyes.
ALF: Oh, I do, as it happens. Very good eyes. They're my greatest gift.
HALF-FACE MAN: I accept.
(The man takes a sharp two pronged fork from a case.)
ALF: What's that for?
HALF-FACE MAN: Your gift. I have bad eyes.
(The man turns towards Alf, to reveal that one eye and half his face is mechanical. Naturally, Alf screams.)

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