Opening scene shows Weiss Schnee walking down a long, carpeted hallway of blue, white and gray. Protruding columns from the walls are decorated with black sconces and lit candles. Nature paintings are hung in an alternating pattern between the columns. There is also the occasional cushioned chair or round coffee table placed along the walls.
Next, she is seen walking along an upper-level balcony above a large dining hall. A white and green floral centerpiece decorates the white-clothed table. Every column both above and below bears a sconce, but these candles are not lit. Beside Weiss on the balcony are large arch-shaped openings with white gauze curtains. Through one of the curtains, a crystal chandelier can be seen in another room. There is a shut, brown wooden door in the direction Weiss is heading.
Weiss walks down a wide stairway with curving balconies on either side above it. Large armor statues fill the space on either side of the bottom stairs. Behind Weiss, a paned triptych of arched windows lets in the sun, casting her shadow onto the blue-carpeted steps in front of her. The floor at the bottom of the stairs has a blue and white oval design in its center. Both levels have open archways leading to other rooms.
Walking in another room with blue and white floor patterns, Weiss strides pass a life-size statue of a King Taijitu without looking up. Once again, both the lower level and the balcony level have open archways and unlit sconces. A chandelier hangs from the ceiling.
An upward view shows that the chandelier is in the middle of a blue and white circular pattern that matches the floor pattern from the previous room.
From the point of view of a music room, Weiss is seen walking down another hallway. In the music room is a large grand piano with open sheet music. A portrait on the wall shows Whitley Schnee.
Weiss walks alone in the hallway, never having looked up the entire time until she has a startled reaction to hearing her brother's voice coming from right in front of her.
Whitley: Good afternoon, sister.
A teenage boy, somewhat younger than Weiss, stands before her. He's got his hand on his chest and he affects a bow.
Whitley: A pleasure to see you out of your room for a change.
Weiss sidesteps him and turns to speak, and since he moves to face her the effect is that of the two of them briefly circling each other.
Weiss: Hello, Whitley. You're in a cheery mood today.
Whitley: Klein made crepes for breakfast.
He clasps his hands behind his back and smirks at her.
Weiss: What do you want?
Whitley: I heard Father shouting with someone in his study earlier.
Weiss: Mother?
Whitley: No, she's already drinking in the garden. I think it was a man.
Weiss: What about Watari?
Whitley: Yes... him, he should be with Klein and helping him with the house as usual.
Weiss looks up at him on this.
Whitley: (feigning a concerned look) I just wanted to warn you. I heard he had asked to speak with you.
Weiss: I'll be fine.
Whitley: I know you will. You are strong, like Winter.
Weiss: You never liked Winter.
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Lethal Protector: RWBY × Yang × OC (COMPLETE)
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