Facades are a fact of life
As seen with charades and masquerade parties
But some covers are true to life, no fakeness there
They tell it like it is - falsehoods don't have a prayer.
Let me tell you about a forty-something lady
She liked to wear high heels
Enjoyed parading herself in black
Though only during daylight hours, she did lack
Conversation with her daughter
These two did not communicate
One did have an issue with control
The other felt spite and hate.
This forty-something lady,
Let's call her Glee
She felt down deep a presence
She often fell down on her knee
Which reminded her of the story
Of how it came to pass
That she stumbled one night into a cop car
As an innocent drunkard lass.
You say, "How is this a problem?
How can there be an issue?
Would not a police officer
Offer a helpless lass a tissue?"
I say, "Wait to hear more details
Wait for the sordid plan
Of one sex-starved and corrupt cop
A hell of a criminal man."
Glee was out too late
And did not know who to call
So when she espied said police man
She then stumbled and did fall
He offered his strong arms
And the back seat of his cruiser
Placed her lying flat on her back
So that he would not bruise her.
Half-in and half-out,
Love is like that sometimes
Love and irritations
Peccadilloes and larger crimes
Glee's teenage daughter
Glee's dirty little secret
The product of a rape
Committed sin - the ultimate.
All of these years rattling around
Inside her brain and soul
How was she to tell her girl
That her father had eyes that stole?
Every birthday that passed
Every time a police siren chimed
Hey girl, did you know that
Your father gave me a dime?
To make a phone call.

YOU ARE READING
Love and Irritations
PoetryFacades are a fact of life, but some covers are true to life.