After "Steven universe future" Steven was mutated by unknown origins and was made to become a monster whenever he's angry. Now, with no memory of his past, he will have to find his own way. But in the meantime he will meet great new animal pals and...
In a large warehouse, the SPARKS of an acetylene torch fly as WORKMEN make modifications on several vehicles, including a dark-green Mercedes Benz AAV (all-activity vehicle). The hood of the AAV is up and the V-6 engine has been pulled out; a new, smaller engine is lowered in its place.
To one side are two long trailers, connected by am accordion-like passageway, like on a subway car, allowing one to be towed behind the other.
The warehouse hums with activity as the Workmen scramble to meet a deadline. EDDIE CARR, fortyish, confronts MALCOLM, who carries a satellite phone, a bright green headset that attaches to a heavy battery base. He dials the phone and waits for an answer while Eddie talks.
EDDIE You can't shave three days off my deadline and expect everything to be ready! We're not fully supplied, I haven't field tested any of this - -
MALCOLM (hanging up the phone) Damn it! Why doesn't Sarah answer her satellite phone?!
EDDIE Could be anything. Solar flares, a satellite out of synch. It's not exactly a local call.
MALCOLM Let me talk to your communications designer.
EDDIE You are talking to him.
Steven: well at least were gonna meet more dinosaurs
Henrietta: that's true, I've been meaning to see more of my kind again
Dacto: hey! What you call this again?
Steven looks to dacto and ceara's direction and sees them looking at a lightbulb
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Steven: that's a lightbulb guys!
A battered white van ROARS through the door of the garage, pulling in backwards, and comes to a stop in the middle of the floor. NICK VAN OWEN, a good-looking American man in his late twenties, hops out. He's crabby.
NICK It's 4-3 Mets in the sixth, for anybody else who's got money on it. Thanks for the two minute warning Eddie. Where the hell is the fire?
He slides open the cargo door of the van with a BANG and starts unloading photographic equipment - - video cameras, cables, metal supply cases.
EDDIE (introducing them) Nick van Owen, Ian Malcolm. Nick's our field photographer. Dr. Malcolm's our - - uh, nemesis.
MALCOLM (to Nick) What's your background? Wildlife photography?
NICK (while unloading the van) Wildlife, combat, you name it. When I was with Nightline I was in Rwanda, Chechnya, all over Bosnia. Do some volunteer for Greenpeace once in a while.
MALCOLM What drew you there?
NICK Women. 'Bout eighty percent female in Greenpeace.
MALCOLM Very noble.
NICK Noble was last year. This year I'm getting paid. Hammond's check cleared, or I wouldn't be going on this wild goose chase.
MALCOLM Where you're going is the only place in the world where the geese chase you.
