CHAPTER 12
"There is a special kind of emptiness that you feel when you get your heart broken
Every nerve in your body becomes cold, numb
Your eyes are lenses
Your hands are a shelf
Your ears are a subwoofer
And every thing you do becomes senseless."
The crowd at Coco reacted with thunderous silence as I liberated myself with literacy. This was where I belonged; a place I always felt safe, loved, and appreciated. No matter how crazy I felt here, someone loved what I had to say. Slam Poetry had become me, and I had become Slam Poetry.
"There is a special kind of emptiness that you feel when you don't have a heart
When you don't know what it feels to have your heart throb, or your heartbroken
But the best thing you have to hold onto is a special kind of heartache
Its called yearning, and dreaming
I've felt this kind of pain
Where you have so much time on your hands that you can only think
But you have nothing and no one to think about
So you think about everything
What's wrong with me
Why can't I get them to look this way
Is it my hair
Is it my body."
I knew whom the words were for. Not for Darren, not for my friends, but they were for me. Tears brimmed my black-lined eyes, blurring the crowd like a sea of fish.
"There is a special kind of emptiness you feel after you press the end button
This one is physically cold
Where your bedroom feels hallowed
And your skin is alive with the scary kind of chills
As I lay stripped of my dignity
With dry hands and wet eyes
And I have so much time on my hands that i can only think
But i have nothing and no one to think about
So i think about everything and everyone
What's wrong with me
Why can't I get them to look this way
Is it my hair
Is it my body
Is it my voice."
This wasn't my first time. I've written countless poems about feminism and love and 'black girl problems', but I don't know how much they really meant to me. There was one, once, the poem that made me fall in love with poetry, but the glaze of the glamour it brought is a distant memory.
I remember the words, though. Love Notes. I wrote it about one of the first guys I ever thought I loved. It was freshman year, and he was a junior. He was chubby and giddy, and I could get lost in his blue eyes. Sam was his name. He's a part of my story, too.
"There is a special kind of emptiness that someone with anxiety feels
You become paranoid, scared
Your reflexes are a barricade
Every beautiful and every thank you
Ricochets off of you like a fresh water tide to latex
I have sad days on vinyl
Goodbyes on vinyl
A vintage, recorded montage of farewells
Greetings from people who have walked out before they walked in
You get used to the emptiness
Personalize the space with your favourite trinkets and photographs
My space is black
There's a painting of a woman on the wall with a sliding window
The woman is white
Her body is not
There's a collection of CD's on the floor, and a bed that has been ripped apart by sleeplessness in the middle
No doors
I've made it my home."
I wrote poems about feelings; I told poems so I could learn what they were about. Right now, this poem is about comfort. It's about faces, and how faces are not feelings, and how feelings are not emotions. It's about... The comfort of wearing a mask.
"There's a special kind of emptiness you feel when you're alone
I guess we all are sometimes
Alone in our bedrooms on a friday night
Table for one at McDonalds, Tuesday afternoons
Blue eyes, green eyes
Pink hair
The 0.4 percent
The weekends when you have so much time on your hands that you can only think
But have nothing and no one to think about
So you think about everything, everyone, anything, something, nothing...
Whats wrong with me
Why can't I get them to look this way
Is it my hair
Is it my body
Is it my voice
Is it my skin
Is it me?
Is it the reason they say to me: Why you wannah fly, Black girl? You ain't ever gonna fly...
And I tell them I prefer to live my life with my feet on the ground but my head in the clouds
And that dream
Right there
Yeah, I've made it my home."
The crowd rang of deep 'ahs' and snapped their fingers as I left the stage.
And I saw him. The God. Him and a girl of similar height and age hunched over their coffees and ray bans as they exited the coffee house. I watched as his shoulder length hair blew briefly in the cold, January winds. She wrapped an arm around his, and they led each other off into the night.
YOU ARE READING
The Metamorphosis Diaries
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