Bro You Can't Have Two Chapter's Called The End

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It's a long drive, but they make it. They're all more than ready to take down the establishment that's destroyed so many lives.

No one ever expects the gays who support love and rainbows and happiness to be thirsty for bloodlust and revenge, but that's what's going to destroy places just like this one.

In a poor attempt at a sneak attack, the boys stop playing music as they approach. The army stops screaming and even Richard attempts to stay completely silent.

The seconds pass like hours as the silence envelopes the army.
No one speaks when they arrive directly in front of a large prison-like building.
No one moves a muscle until Alex speaks.

"On my signal," he says.

A few agonizingly long seconds pass before he says anything else.
Then finally he sings the words that start it all.

"LONG LIVE THE RECKLESS AND THE BRAVE-"

The LGBT community of the east coast screams out as they storm the building in front of them. Everyone, young and old, is sporting something rainbow as they use everything from kitchenware to machine guns to take out enemy troops.
Richard pulls off the roof of the building and the people inside scream.

A few seconds later, the octopus is pulling Jack out of the wreckage and placing him on top of the make-shift stage.

Jack blinks, confused by the scene in front of him. Alex is too busy singing the last chorus to explain what's happening, but he shoots him a reassuring smile as Kevin hands Jack a guitar and helps him set up before the next song begins.

"HEY EVERYBODY THIS IS MY FIANCÉ, JACK! KICK SOME FUCKING HOMOPHOBIC ASS FOR US YOU BEAUTIFUL, BEAUTIFUL PEOPLE!"

Alex tells Jack they're playing the whole album front to back just before starting the next song.

Backseat Serenade.

He remembers when he wrote it, why he wrote it. He smiles as he sings the chorus. That was such a different time, but it wasn't even that long ago.

The next song starts and Alex can't help but remember how much he had missed Jack when he wrote it. He notices Jack slip up a few times on the chorus and he's pretty sure Jack finally caught on to the meaning behind the lyrics.

A few more songs and the gays are winning by a lot.

Richard is a huge advantage, considering he's bulletproof and able to throw eight or more bad guys at once depending on how many he can grab without hurting any of the good guys.

Richard then pulls someone out of the crowd and drops him roughly onto the stage.
Alex stops singing.

It's Ronnie.

Jack looks like he's about to hit him, but Alex moves faster, pulling the guitar strap over his head and then swinging it at the man who ruined their lives.

The guitar breaks where the body meets the neck as it collides with Ronnie's thick skull.
Alex can just barely hear the satisfying crack of Ronnie's neck at the impact.
"DON'T YOU EVER TOUCH MY BOYFRIEND AGAIN YOU FUCKING BITCH FUCKER!" Alex yells to the asshole now dead on the floor.
"Fiancé," Jack corrects.
"Even better."

They head straight back into the chorus of the song they had been playing as if nothing even happened.
Jack kicks Ronnie off the stage so none of them trip over him.

As the album starts to come to a close, the number of homophobes in the crowd have dwindled down to just a few people running in terror.
The few that manage to make it out of the worst of the mob are shot down by drag queens with bows and arrows.

"HEY GIVE IT UP FOR MY BEST FRIEND ALEX!" Jack shouts into the mic when they finish playing So Long And Thanks For All The Booze. Everyone, who isn't already busy fighting, cheers.

"I'm you're fiancé, Jack."
"HEY EVERYONE GIVE IT UP FOR THE LOVE OF MY LIFE, ALEX!" Jack corrects himself.
"Nah Jack, everyone already knows I'm awesome," Alex laughs. "LET'S GIVE IT UP FOR THE GAYS!" Alex yells into the mic.

Everyone cheers and yells and whistles.

"THIS LAST SONG'S CALLED DEAR MARIA! KICK SOME ASS OUT THERE YOU FUCKING BEAUTIFUL PEOPLE!"

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