物の哀れ - Mono no Aware - Part I

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𝐌𝐨𝐧𝐨 𝐧𝐨 𝐀𝐰𝐚𝐫𝐞

the pathos of things; the impermanence of things

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the pathos of things; the impermanence of things


ᴀ ᴊᴀᴘᴀɴᴇꜱᴇ ᴛᴇʀᴍ ꜰᴏʀ ᴛʜᴇ ᴀᴡᴀʀᴇɴᴇꜱꜱ ᴏꜰ ɪᴍᴘᴇʀᴍᴀɴᴇɴᴄᴇ ᴏꜰ ᴛʜɪɴɢꜱ, ᴀɴᴅ ʙᴏᴛʜ ᴀ ᴛʀᴀɴꜱɪᴇɴᴛ ɢᴇɴᴛʟᴇ ꜱᴀᴅɴᴇꜱꜱ ᴏʀ ᴡɪꜱᴛꜰᴜʟɴᴇꜱꜱ ᴀᴛ ᴛʜᴇɪʀ ᴘᴀꜱꜱɪɴɢ, ᴀꜱ ᴡᴇʟʟ ᴀꜱ ᴀ ʟᴏɴɢᴇʀ, ᴅᴇᴇᴘᴇʀ ɢᴇɴᴛʟᴇ ꜱᴀᴅɴᴇꜱꜱ ᴀʙᴏᴜᴛ ᴛʜɪꜱ ꜱᴛᴀᴛᴇ ʙᴇɪɴɢ ᴛʜᴇ ʀᴇᴀʟɪᴛʏ ᴏꜰ ʟɪꜰᴇ.


𝘛𝘩𝘦 𝘣𝘭𝘰𝘴𝘴𝘰𝘮𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘑𝘢𝘱𝘢𝘯𝘦𝘴𝘦 𝘤𝘩𝘦𝘳𝘳𝘺 𝘵𝘳𝘦𝘦𝘴 𝘢𝘳𝘦 𝘪𝘯𝘵𝘳𝘪𝘯𝘴𝘪𝘤𝘢𝘭𝘭𝘺 𝘯𝘰 𝘮𝘰𝘳𝘦 𝘣𝘦𝘢𝘶𝘵𝘪𝘧𝘶𝘭 𝘵𝘩𝘢𝘯 𝘵𝘩𝘰𝘴𝘦 𝘰𝘧, 𝘴𝘢𝘺, 𝘵𝘩𝘦 𝘱𝘦𝘢𝘳 𝘰𝘳 𝘵𝘩𝘦 𝘢𝘱𝘱𝘭𝘦 𝘵𝘳𝘦𝘦: 𝘵𝘩𝘦𝘺 𝘢𝘳𝘦 𝘮𝘰𝘳𝘦 𝘩𝘪𝘨𝘩𝘭𝘺 𝘷𝘢𝘭𝘶𝘦𝘥 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘰𝘧 𝘵𝘩𝘦𝘪𝘳 𝘵𝘳𝘢𝘯𝘴𝘪𝘦𝘯𝘤𝘦, 𝘴𝘪𝘯𝘤𝘦 𝘵𝘩𝘦𝘺 𝘶𝘴𝘶𝘢𝘭𝘭𝘺 𝘣𝘦𝘨𝘪𝘯 𝘵𝘰 𝘧𝘢𝘭𝘭 𝘸𝘪𝘵𝘩𝘪𝘯 𝘢 𝘸𝘦𝘦𝘬 𝘰𝘧 𝘵𝘩𝘦𝘪𝘳 𝘧𝘪𝘳𝘴𝘵 𝘢𝘱𝘱𝘦𝘢𝘳𝘪𝘯𝘨. 𝘐𝘵 𝘪𝘴 𝘱𝘳𝘦𝘤𝘪𝘴𝘦𝘭𝘺 𝘵𝘩𝘦 𝘦𝘷𝘢𝘯𝘦𝘴𝘤𝘦𝘯𝘤𝘦 𝘰𝘧 𝘵𝘩𝘦𝘪𝘳 𝘣𝘦𝘢𝘶𝘵𝘺 𝘵𝘩𝘢𝘵 𝘦𝘷𝘰𝘬𝘦𝘴 𝘵𝘩𝘦 𝘸𝘪𝘴𝘵𝘧𝘶𝘭 𝘧𝘦𝘦𝘭𝘪𝘯𝘨 𝘰𝘧 𝘮𝘰𝘯𝘰 𝘯𝘰 𝘢𝘸𝘢𝘳𝘦 𝘪𝘯 𝘵𝘩𝘦 𝘷𝘪𝘦𝘸𝘦𝘳.

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