Introducing the incomparable Rowan del Marco...in a moment when she both despairs and shines, like any true rock star...
Row
Beep.
I'm driving a classic T-bird. The top is down. Riley is with me. I don't know where the hell I am—somewhere very flat and very bright. I guess we are headed to a show, because three of my guitars and two amps are in the wide, vinyl backseat.
I am laughing at Riley who's wearing lightening bolt sunglasses and singing a mocking rendition of The Smiths Heaven Knows I'm Miserable Now.
People don't know that Riley is funny. Like in a self-deprecating way. The way he makes fun of the old British post-punk scene—a genre bands like Riley's stubbornly tried to revive a decade ago.
Beep.
Riley stops his imitation mid-Morrisey and removes his sunglasses. "Pull over, love," he says, pointing to a stroller on the side of the road.
I don't want to, I'm afraid we will be late for the show. He insists. I don't pull over. The car stops just the same.
Beep.
He's singing again. The time The Cure. Lovesong. "Play it," I tell him, hoping for once he will pick up a guitar. I reach back to hand him my Epiphone—to play unplugged. That's when I realize—all my guitars are gone. There's a dark haired, blue-eyed baby in the back seat—a girl in zebra striped leggings and florescent green onesie.
I eye the baby suspiciously, trying to figure out just how that happened, because I definitely didn't stop for her.
Beep.
Riley reaches back and puts the lightening bolt sunglasses on the baby. He croons to her. She giggles behind the funny glasses. I don't smile on the outside. I press the accelerator, hauling ass to the show.
"My guitars better fucking be there," I tell him.
"No worries, love," he says.
Beep.
The show has started without me. Harper, Sadie, and Chili are yelling for me from a Mardi Gras parade float that is entering a giant roll-up door
"What the fuck? I hated the Mardi Gras stage set."
"No, you didn't," Riley says unconcerned.
"Yes, I did."
"They didn't.. They chose while you were at the hospital."
Beep.
I reach back for the baby. "You have to take her. I have to perform."
There are only guitars.
I feel frantic.
"Where did she go?"
"Who?" Riley asks as he tunes my guitar.
"The baby!"
He gives me a crooked grin. "You're cracking up, love. She was just a dream."
Beep.
Now he's standing side stage. "Rowan. It's time to wake up," He gestures to the stage. He always says that before I take the stage. It's time to wake up. Because the stage lights are like a blinding dawn, a new opportunity for the brightest day, the best life.
The stage is glowing like a sun. I can feel the heat of the lights and my skin yearns for them. But I'm looking all around for the baby. I have to find her. I need to find her. "We can't just...leave her..."
YOU ARE READING
DRASTIC (Book 4 of the Soundcrush Series)
Roman d'amourBodie Jamison. The enigmatic drummer of Soundcrush,always hiding his pain behind his laughter. Bodie has two habits he can't quit. Heroin and Arabella Burns. What happens when Marley Watkins--Soundcrush's favorite over-the-phone-counselor who ha...