fifty ♬

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y/n played back the video multiple times, her prescreening for tokyo school of music and hyogo college of drama and arts was due in just under a week

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y/n played back the video multiple times, her prescreening for tokyo school of music and hyogo college of drama and arts was due in just under a week. every time she watched a recording, she found a flaw that she needed to fix. toru was having the same problem, even ushijima, and iwa even though he was going into directing. they all had prescreens to worry about

group therapy

pretty boy: suga, tendo, this doesn't apply to you but we love you so we're going to complain about it to you

pretty boy: but holy shit these prescreens SUCK

the girl: i hate it, i find something bad in every single thing i recorded

ushi gushi: i am not enjoying this process, but it will be worth it in the end

the girl: i swear if i fuck up one more note or stumble on one more monologue :)

old man: it's just prescreens, and you're some of the most talented people i know. think of it as an audition, but you know damn well you're getting a callback

the girl: koshi ily

the girl: that did not help :)

old man: sorry, i'm not the one stressing with life-altering auditions

ginger: suga, i'm not auditioning for colleges, and that hurt

pretty boy's boy: bro wtf

pretty boy: hi :)

pretty boy's boy: hi

the girl: why is this my life

ushi gushi: you picked this life

the girl: ah shit you got me there

ushi gushi: you're welcome

the girl: thank you?

ushi gushi: feedback, please

[ushi gushi has sent 4 files]

pretty boy: since fucking when could you hit those notes

the girl: he's in his tenor era

ushi gushi: i worked on them

the girl: but quite honestly, they're near damn perfect. hitting all the right notes, the pacing is great, amazing articulation, dynamics, everything.

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