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The podcast studio was buzzing with energy as the Kelce brothers prepared for another week of their *New Heights* podcast. This week, the focus was on *Speak Now (Taylor's Version)*, and the guys were eager to dive into the 16 main tracks and the bonus vault songs that had fans talking.
Across the house, Taylor Swift and Abigail Anderson were stationed in the living room, where they'd been tuning into Travis and Jason's reactions to the album. The two women had been trying to suppress their laughter all afternoon, hearing the brothers fumble through Taylor's lyrics and offer up their honest, sometimes unfiltered reactions.
Abigail was already texting her usual banter to Travis, throwing in the occasional comment to troll him, while Taylor, lounging comfortably with her coffee, was enjoying every second of it. The two of them had been playing this game since the Kelces first started reacting to Taylor's albums, and the fun just kept escalating each week.
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**Travis Kelce:** "Alright, bro, we've got *Speak Now* this week. And this album... I'm telling you, this is the one where Taylor really started to take the gloves off. You got *Dear John*, *Back to December*... and oh man, don't forget *Better Than Revenge*."
**Jason Kelce:** "Yeah, and we're gonna get into *all* of it. I'm talking every song, every vault track, everything. But before we start, shoutout to the 92 Percenters—because apparently, they want us to check out the original *Better Than Revenge* before we listen to the new version."
**Travis:** "I saw that comment! They want us to specifically pay attention to one line. You know what that means—it's probably brutal."
Jason snickered, already imagining what kind of lyric could have caused such a stir. "Alright, alright, let's hear the original."
Travis pulled up the original version of *Better Than Revenge*, smirking as the iconic guitar riff kicked in. As the song built up to the infamous line, the brothers leaned in, almost sensing something chaotic coming. And then it hit:
"She's better known for the things that she does on the mattress."
Both brothers burst into laughter, nearly doubling over in their chairs.
**Jason:** "Wait, WAIT. Hold on, she actually said that? On the mattress? Like, she called her out for THAT? Dude, that's savage. I didn't see that coming."
**Travis:** "Bruh, Taylor went in on this one. I thought she was all fairytales and love songs back in the day. Guess not!" He was wiping tears of laughter from his eyes.
**Jason:** "No wonder the fans wanted us to hear this. That's gotta be one of the most savage lines she's ever written."
They replayed the line, laughing even harder the second time, completely caught off guard by Taylor's early savagery. Travis had to catch his breath before finally moving on.
**Travis:** "Alright, now let's check out Taylor's Version of this and see what she changed. I heard she toned it down a bit."
When they played *Better Than Revenge (Taylor's Version)*, they reached the newly altered line—"He was a moth to the flame, she was holding the matches"—and once again, the Kelce brothers shared a glance.
**Jason:** "It's way less direct now. Still has that sting, but more like... in a poetic way. Like, 'I'm not dragging you through the dirt, but you know what you did.'"
**Travis:** "Yeah, it's definitely classier. You can tell she's matured, but she still wanted to make a point. That lyric's still got bite, but it's more metaphorical now. Man, the old version though... talk about throwing hands!"
