Chapter 6 - The Big Decision

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The conference room at the label's headquarters had a view that stretched over the bustling streets of Nashville, but none of the executives seated around the long table seemed to notice. Today's meeting wasn't about the usual hustle of signing deals and planning releases. This one felt different—there was something electric in the air, the kind of energy that only appeared when they were on the verge of discovering a major new talent.

Bill, the senior executive who had been with the label for decades, sat at the head of the table, flipping through the notes he had scribbled during Georgie Day's live performance. His usual stoic demeanor was tinged with something resembling excitement, though he tried to hide it behind his composed expression.

Pete, the producer who had worked with Georgie in the studio, leaned casually in his chair, ready to offer his thoughts. He'd been through countless meetings like this, but he knew this one mattered more than most.

"All right, let's get into it," Bill said, finally looking up from his notes. "We all saw her live. We've heard her in the studio. Now we need to decide if Georgie Day is the kind of artist we want to invest in."

Sarah, one of the younger executives, spoke up first. She had been impressed by Georgie's energy on stage, but she wasn't the type to rush into decisions. "I've been thinking about her performance.

There's no doubt she's got stage presence, but what struck me most was how comfortable she seemed. A lot of newcomers can get overwhelmed, but she commanded that stage like she's been doing it for years. The audience was hooked, especially during Ridin' Shotgun."

Bill nodded, his fingers tapping rhythmically against the table. "I agree. I saw the same thing. She wasn't just performing a song—she was telling a story, and the crowd was eating it up."

Pete cleared his throat, shifting in his seat. "And it wasn't just the live show," he said. "Her studio session was impressive. I've seen artists freeze up when they get in front of that mic, but Georgie? She was a natural. She got comfortable after the first take, and we captured something special. Her voice was tight, her timing was perfect, and she managed to bring the same raw energy from the stage into the studio. That's not something you see every day."

Sarah leaned forward, her eyes narrowing slightly. "But do we think she has longevity? There's a lot of talent out there, but that doesn't always translate to a long career. We're not just looking for someone who can get a few hits. We're looking for someone who can grow with us."

The question hung in the air for a moment, and Pete nodded thoughtfully. "Longevity comes with the right development. She's raw, sure, but that's part of the appeal. With the right guidance, she could go far. She's got the voice, the songwriting skills, and the work ethic. She's not some flash-in-the-pan talent."

Bill leaned back in his chair, his eyes scanning the room. "I've been in this business long enough to know when we've got something unique on our hands. Georgie Day has something you can't manufacture. You saw it yourselves—she's got heart. She connects with people, and that's what makes artists stick around. If we sign her, we're not just betting on her talent—we're betting on her ability to evolve."

A murmur of agreement went around the table, and Sarah nodded as well, though she still seemed cautious. "What's the plan then? If we're going to move forward, we need to strategize."

Bill glanced at Pete, who was ready with an answer. "First step is to get her in the studio for a full EP. Ridin' Shotgun should be the lead single—it's catchy, it's got that modern country feel with enough roots to pull in different audiences. Then we'll start pushing her on social media, get her on some playlists, and build momentum. A few more live gigs in key locations, maybe opening for a bigger name, and we'll see how the public reacts. We play this right, and she's on her way."

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