COLORS, Part 2

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Before I even look at anyone else's work, I reinforce sharp lines and darken the darkest areas on my painting with blue tones and deep browns. I'm working on organic matter, a bouquet of flowers and it requires trusting my eyes. I can't paint in the way that feels good, I have to be precise for realism.

"Much better," Yaya nods and I smile having not noticed that she was standing behind me watching. "After one class too and no one told you anything," she adds.

"Imagine if I got some real feedback."

"Mr. Peters," she calls gently to the professor who comes right over. He's young and cute with locs and a septum piercing. A little kooky, but loved by his students and eager to help. 

"How can I help you?"

"Criticize Meg's painting. What's she missing?"

"Honest critique," he asks and I nod. "Beautiful but it doesn't give realism. You left no room for the halo effect around the outer petal and your red leans too brown, that part is pink," he points the mid-petal. Black is not an outline color, retire your black completely. White it not an outline or highlight. Also that flower petal would have a tiny amount of speckling realistically. I'd typically use a toothbrush and splash with the bristles, but do what you can.. Keep going, you're doing so well."

"Gee thanks..." Looking at my painting with fresh eyes, I need to start over. I know I can do this way better and I'm excited to try, but I don't have the time. I have to suck it up and finish this current painting.

"What did Kellan say about your work of art last week," Yaya asks suddenly. "Could he see a difference in your technique?"

"I told you Kellan don't give a damn about my techniques or my skill level. He doesn't have an eye. He sees paint on canvas and to him it's finger painting."

"So you ain't show him. Is that because of the subject of the painting?"

"You mean the big black dick? Maybe. He's not..," I don't wanna sound mean but, "He don't understand art. He wouldn't see it how we see it. If I show him that painting he's gonna it's pornographic and then he'll think something that ain't true and I don't feel like dealing with that."

"Doesn't sound like you're compatible."

"You were just caping for him last week," I glare. "You should pick a stance."

"Oop! Well how about I'm not caping, I thought I was helping you look at things a different way because you can be harsh."

"Harsh? Because I see how things are and I tell you? You don't accept it until you repeat it. Then you wanna act like you told me something new. That's one thing that drives me crazy about you."

"I can think of more than a couple things about y-"

"Okay y'all ruining the energy in this room," Francis' voice rises. "It's a beautiful day today, sun shining!"

It is.. We're all painting the same thing today and Yaya's looks better than mine again, but I can see why and how and part of it is her colors. They aren't muddy. "Use more paint," she says reading my mind. "Don't be scared to use it up. Then when you want to mix in a tiny amount of a new color you have more to work with, less paint stroke, less mud."

"I can't wait to start this over or paint something else," I say plopping paint on my picture. At this point I just want it finished. "I'm gonna paint my mom's houseplant at home soon as I get there."

-----


"Mama," I call through the apartment wondering if she's in her room or maybe the bathroom. I can't find her anywhere. "Where you at ma," I yell before calling her cell. She picks up on the third ring and who do I hear in the background? My boyfriend loud and clear laughing.

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