Client: lostlovefairy
Designer: fuzziwrites
Title + Book Cover : 4.5/5
The title is informative, effectively telling me everything I need to know about what your story is about: an anthology of heartfelt stories. The cover is also quite well done, with solid composition between the text and visual elements. One suggestion I would make is changing the font for "Moments" to be more legible. The letters blend into each other, making it a little hard to read.
Blurb : 2.5/5
The blurb is quite mysterious, consisting only of a series of questions that hit rather personally. What the blurb does well is that it establishes a clear emotional throughline—love, heartbreak, loss, and the complex ways we cope and grow. However, the long string of questions may begin to feel repetitive; trimming or grouping them could heighten impact.
Additionally, the blurb does not quite invite the reader to actually open your book. It invites them to introspect, but it doesn't give the reader a clearer idea of what to expect inside. In fact, the questions actually initially led me to believe that this work was a series of one-shots, which doesn't appear to be the case once I actually read it. I'll discuss this more in the plot structure section.
Introduction : 9/10 How well do the first three chapters hook me in? In the case of short stories/anthologies, it would be the first chapter/scene of each individual story.
The first chapter avoids using names entirely, instead relying solely on the pronouns "I," "you," and "he." This creates a sense of immediacy and emotional rawness, drawing the reader in as if they're experiencing the emotions firsthand. It does seem to me that withholding names here is intentional—it allows the focus to remain on the feelings rather than the identities.
Following the first chapter, the next chapters start divulging the story of Naina and Advik, namely starting with their breakup and the emotional fallout that follows. Here, perhaps some urgency with introducing names at the beginning of the chapter would improve the remainder of the introductory chapters. Doing so would help ground the reader more quickly in who these characters are, especially after the abstract and emotionally driven introduction, and provide clearer context for the unfolding events in the rest of the opening chapters.
Nevertheless, these scenes are poignant and affecting, hooking the reader with the central question: what went wrong? Notably, the narrative doesn't shy away from revealing red flags (i.e. Advik lashing out with physical violence, and threatening to end his life if Naina leaves) in their relationship, giving telling glimpses into the dynamics that may have led to the heartbreak.
Worldbuilding : 6.5/10
The worldbuilding feels intentionally minimal, with most of the narrative focus placed on developing the characters and their emotional arcs. This works well given the story's introspective and character-driven nature. However, the fragmented, non-linear timeline makes it difficult to get a clear sense of when certain events are happening, which can be disorienting. Since time and setting are key components of worldbuilding, a bit more clarity around the time period or contextual cues within each chapter would help anchor the reader more firmly in the story's world.

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