Equal Fights

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(Opening shot: the city skyline under a bright rising sun.)

Narrator: The city of Townsville. An ideal city, where everyone is satisfied with their lot in life, where the citizens are happy to help each other out, (Dissolve to the exterior of the girls' house.) like these citizens.

(Inside, the Professor is washing dishes. The girls poke their heads around the kitchen doorway.)

Blossom: Hi, Professor. Going to school.

Professor: Oh, girls, before you go, could you do me a favor?

Girls: Certainly.

Professor: (carrying trash bag to them) Will you drop the garbage by the curb on your way out? (Bubbles reaches for it.)

(Outside, the door opens and they fly to a trash can on the sidewalk; Bubbles is carrying the bag. Blossom picks up the can, Buttercup removes the lid, and Bubbles drops the bag in. The lid is replaced, and the girls take off. Cut to the exterior of Pokey Oaks Kindergarten.)

Narrator: A city where everyone gets their fair turn.

(On the playground, kids are doing normal recess things and enjoying themselves. (Y/N) dodged the dodgeball, one boy catches a dodgeball and throws it straight up. Buttercup catches it as the girls fly overhead, and she kicks it down to another boy.)

Boy: Your turn, Jenny. (throwing ball o.c.) Think fast.

(A nearby girl playing hopscotch is hit in the back of the head—this is Jenny.)

Boy: (laughing) Oops.

Jenny: Very funny, Joey. (picking up the ball, laughing) You're gonna get it!

(She chases Joey, across the playground. They both laugh as the girls watch approvingly. The buzzing of the hotline draws their attention; cut to it in the classroom.)

Narrator: A city where they always have someone they can count on. (Blossom picks up, her sisters floating nearby.)

Blossom: Yes, Mayor? The bank, huh? Don't worry, we're on our way.

Mayor: (over hotline) Oh, you girls are so sweet to take time out of your day to save the city. What would I ever do without you? (They beam at this.)

Blossom: Aw, shucks, Mayor, we're happy to do it for you.

Mayor: (over hotline) Bless your little hearts. (They take off.)

(Cut to outside the school as they fly away, then dissolve to the exterior of the Bank of the Imperial Garden'.' The sidewall has a large hole smashed in it, and the alarm is going off.)

Narrator: I wonder what kind of hulking ugly thug of a man is robbing the bank this time.

(On the end of this, zoom in toward the hole. Inside the bank, the customers and the guard have their hands up and incredulous looks on their faces.)

Customer: Whoa, man.

(Pan quickly to the front counter, where we see a pair of legs clad in white pants and heels standing in front of the tellers, who also have their hands up. They look up with surprise as the owner of said legs speaks—it is a woman, her voice dripping with contempt.)

Woman: That's right, you sad excuse of a man.

(As she continues, the camera turns up to show the rest of her. She wears a white jumpsuit with the biological symbol for the female sex—a circle with a cross pointing down—emblazoned on it in blue. The circle forms the collar; the cross reaches down the front. She carries a firearm of similar design, with the free end of the cross as the muzzle and a pistol grip added near the point where it joins the circle. She wears a headgear in the same motif; the circle sits atop her head, with the horizontal bar of the cross extended to form a mask over her eyes, which are blank white sockets, and the vertical bar shortened to stop over her nose. She has long, straight blond hair.)

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